The past few days, every time I reach for my headphones to listen to music I’ve had to listen to a track from the new record from The Dangerous Summer. I don’t know why I was anticipating this more — I’ve loved this band and their lyrics and their style for years –but it kind of snuck up on me. Maybe I’ve entirely lost the ability to keep track of new releases, at least with the fervor I once did. Maybe my mental energy is bogged down by the world’s problems, personal stressors and the general, numbing myopia of adulthood, and it simply doesn’t have any more space to hold the same exuberance for new release calendars the way it once did. But since everything works out for a reason, I instead find myself pleasantly surprised and blissfully lost in new songs.
When I first heard The Dangerous Summer’s Reach for the Sun I was living alone in a small town at my first job out of college. I was figuring things out, I was terrified of something on a daily basis with varying degrees of rationality on my side. The songs on that record made me feel simultaneously understood and strong, as if the trials I was having in my life were the standard fare for pursuing a dream. I learned it by heart, then War Paint dropped the next year and I had even more of a story to follow. Sonically I love what they do as much as the lyrics — there are guitars that thrash, drums that pound and melodies that soar, all the trademark alt-rock/pop punk trademarks. But don’t let genre labels be misleading — there is more substance here than you’ll find in many associated bands, both in the way they build their songs and the darkness of the soul that flits at the edges of some songs and downright dominates others.
The self-titled release from this year is as mature in themes as those tackled on “Golden Record” but with a little more energy behind it — maybe it’s the time off since the band was last active that gave them an extra boost, maybe it’s the precarious world of modern adulthood that I myself am in the throes of experiencing that has provided some sort of muse. There’s a lot of love and romance on this record, but it’s not blind and naive, it’s weathered and worn — like on “Valium,” which seems to beg for the return of the most familiar love when the worst of the loneliness has passed. “Wild Again and” “Fire” are my favorite tracks so far, the first has an insistent longing for the present with my favorite lyrics, and the second and third is straight from the TDS playbook under “Personal Calls To Action.” I’ve been putting on “Live Forever” a lot too, it’s from a similar standpoint with a bit of a brooding beat to contrast some really stellar vocal performances.
It’s that kind of talking-to-himself persepctive that AJ Perdomo does best that I love so well. He reflects on the good and bad in his life with the same kind of clarity and always comes back to the same conclusions — to be steady in one’s own path, to keep to the beat of your own drum, but not be so hellbent on staring at your own two feet that you lose sight of the world around you. It is the exact message and inspiration I needed to find in the start of this calendar year, and I’m so grateful for the surprise, for the warmth of something familiar to melt into.
“But those legs drag again,
I feel them taking over now; walk again.
I might be coming closer,
so tired and dead.
I let emotion carry me back again-
and every road has given me something.”
The Dangerous Summer, The Dangerous Summer