One of the albums that’s really snuck up on me this year is Eisley’s I’m Only Dreaming, a record shepherded by Sherri DuPree Bemis. The band once featured three DuPree sisters, but Sherri’s stuck with it alongside other family members and new players, bringing their ambient-pop quality into a new era. I was never a huge fan though I never heard anything I disliked — and Currents had some really beautiful parts — but this one has stuck out to me for having some moments that just seem strikingly honest, raw and realized.

It’s dark, but just dark enough, it’s sweet, but just sweet enough, it’s confident and edgy. Sherri’s lyrics live in that space of just-vague-enough, bringing plenty of imagery and feeling without laying it on too thick. It’s a pleasant listen, if a rather monochromatic one, with every song striking this unique balance of strength, yearning and sensitivity. “Louder Than A Lion” has been my favorite, with “You Are Mine” and “Defeatist” as close seconds.

I’ve always had a huge soft spot for Sherri’ voice (one of the main reasons I dug the Perma record she did with husband Max Bemis). She has such a lovely soprano quality and can hit some insane notes in insane ways with a ton of power behind them, while somehow still sounding angelic. That brightness and lightness carries through the entire album, but I like how she lets herself get into more deeper and softer tones here and there, too. Listening to her, I just get lost in the sound and the way she enunciates what she’s saying, as if every phrase is a little missive from her truest soul (Bonus: listen to her on a recent episode of the Lead Singer Syndrome podcast for the story behind how Eisley came to be, and her utterly cool attitude about her sisters leaving the band and understanding how everyone’s path is different. Not to mention her life touring with small children. She’s totally inspiring!)

I’ve seen Eisley criticized by music writers for being too one-note, for not having enough of an edge to them, but I love the way Sherri’s voice carries the songs, the way the lyrics are sparse, and the way the guitars always seem to have just enough distortion to sound a little off-kilter. No matter how much it feels like it wants to rock harder, Eisley songs have always had such a beautiful, dreamlike quality to them — a reminder that’s OK to sit still, it’s OK to hang back, it’s OK to get lost in the moment, even if the world thinks you should do something greater.

“We fall backwards faster than the speed of sound
If you want to fly we’re able
If you want to flee I’m stable
I’ll stand and fight when you’re out…”
~Louder than a Lion
Eisley, I’m Only Dreaming